Stoney says he has dumb luck. His grandfather was the doctor on the island in Ireland where the legendary maker of documentary film, Robert Flaherty, shot his film Man of Aran. So Stoney's film, exploring the effects Flaherty's film had on the island and its people, is digging into his own roots as an individual while simultaneously studying the work of his intellectual mentor as a producer of nonfiction films.
Robert Flaherty's 1934 classic Man of Aran chronicled fishermen's struggle for existence on Ireland's bleak Aran Islands. Stoney revisits the islands and interviews surviving locals about their memories of the original film - and their reactions to making this one. It includes excerpts from the original documentary.
Stoney says, "How the Myth Was Made illustrates what I believe to be a common truth: the filmmaker always leaves his mark on the places and the people he films."
This video is part of the George C. Stoney Collection Materials organized with collaboration of Mike Hazard, documentary filmmaker and archivist for George C. Stoney. For more, visit www.thecie.org
Resources
"Must a Filmmaker Always Leave His Mark?" an essay by George C. Stoney
"Documentary: How The Myth Was Reconstructed" an essay by Brian Winston
“. . . and the work of anthropologists is not only to invent, explore, and make useful the general concept of ‘culture’ but also to invent particular cultures”
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